The 2014/15 Season received
generous support from
The Maine Community Foundation /
Maine Theatre Fund

generous support from
The Maine Community Foundation /
Maine Theatre Fund
November 14 - 22, 2014
The most
CHALLENGING and SATISFYING
show to the hit the boards in town this season!
Howard and Gagne are
IMPRESSIVE!
- dig portland, November 19, 2014
(read more >>)
POWERFULLY STAGED!
Director Daniel Burson moves the drama
into hearts and minds.
- Maine Today, November 17, 2014
(read more >>)
WOW...A RIVETING PLAY!
It's an intense drama that provides a whole evening's worth of post-show conversation. GO SEE IT!
- Playwright & Author, Monica Wood
Maine PremiereCHALLENGING and SATISFYING
show to the hit the boards in town this season!
Howard and Gagne are
IMPRESSIVE!
- dig portland, November 19, 2014
(read more >>)
POWERFULLY STAGED!
Director Daniel Burson moves the drama
into hearts and minds.
- Maine Today, November 17, 2014
(read more >>)
WOW...A RIVETING PLAY!
It's an intense drama that provides a whole evening's worth of post-show conversation. GO SEE IT!
- Playwright & Author, Monica Wood
A NUMBER
by Caryl Churchill
directed by Daniel Burson
with Corey M. Gagne and Charles Michael Howard*
The influential and seminal Caryl Churchill has been hailed by Tony Kushner (Angels In America) as the greatest living English language playwright. Here she focuses her extraordinary dramatic gifts on the subject of human cloning. A father is confronted by his son, but it becomes clear it is not really his son, or at least not the original version. How might a man feel to discover that he is but one in a number of identical copies - and how exactly do you determine which one of him is the original?
Magnificent... Contains more drama, and more ideas, than most manage in a dozen full-length works... It combines elegant structural simplicity with an astonishing intellectual and emotional depth... What a tremendous play this is, moving, thought-provoking and dramatically thrilling.
- Daily Telegraph
- Daily Telegraph
THEATER ENTRANCE
The Portland Ballet Studio Theater entrance is at the end of the wide alley between 509 and 517 Forest Avenue (across from the Mobil station). Look for the Portland Ballet and Casco Bay Movers signs, and head toward the light!
PARKING
There is free street parking on Forest, Dartmouth and Belmont. There is also a free lot available on Ashmont Street. Turn left at the light after Portland Ballet onto Ashmont St. You may park in the second lot on the right hand side - there is a large green sign at the entrance that says "Parking for Casco Bay Movers." Click here for a map to the lot.
PREMIUM SEATING Get a reserved Front & Center seat without having to arrive early! Select Premium Seating and we will reserve your seat up until 5 minutes prior to the printed curtain time. If you arrive after that time, your reserved seat may be released, but you will still be able to see the show. There will be no refunds for late arrivals. $15 of your Premium Seat purchase counts as a tax-deductible donation to Dramatic Repertory Company.
DISCOUNT WEDNESDAYS All seats to Wednesday Evening performances are $10!
FuturePatrons if you are age 25 or under, see DRC shows for FREE!! FuturePatron tickets are available day-of only, and require government-issued photo ID as proof of age. Seating is first-come, first-served and subject to availability.
DISCOUNT WEDNESDAYS All seats to Wednesday Evening performances are $10!
FuturePatrons if you are age 25 or under, see DRC shows for FREE!! FuturePatron tickets are available day-of only, and require government-issued photo ID as proof of age. Seating is first-come, first-served and subject to availability.
















Corey M. Gagne (Bernard 1, Bernard 2, Michael Black) was recently seen with DRC in Equivocation, and returned to Portland Stage Company this fall to perform as "Jack" in Brighton Beach Memoirs. Corey was born and raised in Fort Kent, Maine. His favorite color is pink. He trained at Mountview Theater Conservatory in London. His favorite sound is his sister's laugh. Mr. Gagne has performed in London, New York City, Philadelphia, Austin and Portland. He loves cold weather...and The Replacements.
Charles Michael Howard* (Salter). Michael is thrilled to be acting in his first DRC production; to have made a new friend in Keith, and to be working with Dan and Corey again! Although long an admirer of Churchill's work, this is also his first feast of her extraordinary language/prowess. This past season Michael played the "Brit," Michael, in Someone Who'll Watch Over Me at AIRE (directed by Dan Burson), Co-Directed DA with Tony Reilly at same, and directed an "in your face," alternatively gendered Hamlet with Naked Shakespeare performed at USM. Somewhat recent roles include Toby Belch at Freeport Shakespeare Festival and One-Eyed William Curtis in Beth Henley's Abundance at Saco River. He teaches acting (for 15 years at UNE) and here, there and yon, and was assistant director of Naked Shakespeare Co. for 10 years where he's played Falstaff and directed As You Like It and Antony and Cleopatra. As always and forever he dedicates this performance to the luminous love of his life, Carol.